The light of Saint Dolly

The praise and accolades have been pouring in from around the world for Dolly Parton following her death this past Monday. And rightly so. She was universally recognized as a uniquely talented and remarkably good and generous person. Despite her seemingly perfect “Red State” pedigree—Appalachian roots and country music stardom—she genuinely transcended political divisions, embodying religious faith yet supporting gay rights, underwriting a COVID vaccine, and contributing generously to charitable causes, including her own Imagination Library.
It’s not surprising, then, that a word that has jumped into people’s minds to describe Parton is “saint.” I believe it was the German American theologian Paul Tillich who defined the life of a saint as “a window transparent to God.” By her own description, Parton was a person of deep faith yet was not publicly demonstrative of any particular religious beliefs, as The Christian Century magazine described this week.
Dolly’s faith never fit neatly into any standard denominational framework, but she talked often about God, Jesus, scripture, and prayer. Some of what she said would’ve been difficult to reconcile with the theology of churches she knew, but that didn’t seem to trouble her too much. When once asked how she practiced her faith, she resisted the verb: “I don’t practice it. I live it.” …
In 2016, Vogue asked her what she thought people saw in her. “I really like to think it’s God’s spark,” Dolly said. She then explained that every day she asked God to let her do or say something that mattered to somebody, to let some love pass through her.
The reason this struck people as so genuine and sincere is that Parton never tried to be anything but herself. She reminded me of what art teachers I know have said. Don’t try to guess what you think the public might want, they counsel. Paint and create what moves you and expresses you and people will respond. Parton knew this instinctively.
With her big hair and boobs and hardscrabble upbringing, Parton could easily have been a caricature, and many critics tried to make her into that. But Parton was always three steps ahead of them. What they wanted to mock and ridicule her for, she embraced, exposing their hypocrisy in the process. As The New York Times says, Parton’s jokes about herself were always better than her critics and stole their thunder.
In May, Dolly Parton made a cheery social media announcement that she was canceling a planned residency in Las Vegas because of poor health. She delivered the bad news in the form of a five-minute roast of herself, in which she made fun of her wigs, her kidney stones, her costumes and the size of her breasts. At the video’s end, she acknowledged that she wasn’t getting any younger. But, she added: “As long as there are plastic surgeons in this world, I’m not getting any older.”
Parton … knew the power of being in on the joke. From the start of her career, she was met by a nascent celebrity tabloid media that called her tacky, gaudy and fake — barely concealed euphemisms for working-class…. But nothing a columnist, critic or comic said about Parton could compare with what she said about herself. She stepped on all of their punchlines and took away their power….
She used self-deprecation as a subversive trick. The jokes were beneath her, but when she played along, she wasn’t actually debasing herself. She was reclaiming her body and aesthetic as a point of pride, vaporizing any implied insult of the Appalachian working class, and revealing her critics as fools even as she graciously allowed them to laugh with her….
The ridicule of her image allowed her to position herself as a constant revelation. “Some folks see my artificial look and think I have no depth,” she told Newsweek in 1977. “But my inner sadness and joy are as real as my hair and nails are fake. That’s what I like — looking like one thing and being another.”
The popular image of a saint is of someone who is “other worldly”, yet the truth is exactly the opposite. Saints are people who completely inhabit real life and are thus fully genuine. If you look carefully, you see that these are exactly the criticisms leveled at Jesus. He was accused, in modern language, of being an uneducated country bumpkin. The mocking question of Jesus, “Can anything good come out of Galilee?” could easily be reframed, “Can anything good come out of the hills of Tennessee?” With a powerful combination of honesty and humility, Dolly Parton said by her life, “Yes it can, and here I am.”
Through the ages, spiritual teachers have said that spiritual rebirth or awakening means the discovery of our True Self and then living by it, rather than by our false self, what we would call today our ego. The false self is the various identities we take on and masks we wear to fit in, to be acceptable, to “make it” in the world as we imagine it to be. Behind all these is the genuine person we are afraid to be, thinking it will be rejected as unacceptable by the world’s crushing standards.
The “miracle” of Dolly Parton is that she knew her true self to be the good and gifted person she was. Being that person and nothing more (or less) was exactly what her life needed to be. In doing so, Parton embodied one of Jesus’ most well-known teachings from the Sermon on the Mount.
“You are the light of the world…. People do not light a lamp and put it under the bushel basket; rather, they put it on the lampstand, and it gives light to all in the house. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father in heaven.”
As many have said, Dolly Parton made the world better and made them want to be better. They saw in her, as she called it, God’s spark. In doing so, Parton also wanted people to realize that they all had that spark in them, a light of God that shouldn’t be hid but was given to shine brightly for all to see. Dolly Parton’s life shone like the blazes, encouraging everyone to shine along with her by simply being, as she was, the person they had been created to be.
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